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sketch for diomira (2011)
software drawing, pigments on 22x17in. niyodo paper

current-current work, as in right now (april'12)

in the recent weeks, i have continued the development of several series started some time ago, with different projects in mind

wheel of time, for in visible cities (now design is completed, three proof copies available, production under way), and for all the surprises i have and the discoveries i make with it

just enough chance, for grayscale:12, and for my why y=ryoanji research

thousand waves and clouds is a new branch, as well as breeze drawings another non digital, algorithmic adventure

i keep rewriting and rationalizing these streams of software, expecting to merge them into a new powerful instrument (takes for ever)

i am still tuning and tweaking the new sand piece with david bothman, eliminating a spurious, noisy, sporadic vibration