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vent noir II (1989)
pen and china ink, 9x9 on 15x12in. strathmore

drawings in the 70s

first drawings from software. randomly tiled geometry à la anni albers in a series of eight pieces, only one still existent. red and black inks from felt pen.

in the 70s, creation of line works mediated on a small plotter. programs composed in rocky mountains basic direct calculations of an early small hewlett-packard lab computer. this produces instructions that direct the plotter to draw the proper geometry. one program, one drawing; in retrospect this was slow and small but effective.

influence: bauhaus art, benoit mandelbrot's self-similarity papers.