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--next--> drawings in the 70s first drawings from software. randomly tiled geometry à la anni albers in a series of eight pieces, only one still existent. red and black inks from felt pen. since the 70's, creation of line works mediated on a small plotter. programs composed in rocky mountains basic direct calculations of an early small hewlett-packard lab computer. this produces instructions that direct the plotter to draw the proper geometry. one program, one drawing; in retrospect this was slow and small but effective. influence: bauhaus art, benoit mandelbrot's self-similarity papers.
querelle du sable et de la terre (au-delà d'un certain point) (2003)
pen and ink on Torinoko paper, 50x34 on 54x37in.
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all in all, the creative act is not performed by the artist alone. the spectator brings the work in contact with the external world by deciphering and interpreting its inner qualifications and thus adds his contribution to the creative act. |
jean-pierre hébert
contact. (04 Jan 2010)