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black scholastica (2003)
pen and acrylic ink on paper, 30x22 arches paper

drawings in the 90s

incremental progress of the work through an increased understanding of the medium (improved knowledge of software development; build-up of personal libraries; continuous experiences with the tools and their interaction with the medium)

graphite on paper with pencil lead plotters, silver point drawings.

first attempts at digital prints (iris prints with jon cone) and etchings (solar plates with elaine levasseur).

beginning of the metagon series

short collaborations with roman verostko: the virtual plotter.

create ephemeral sand traces and installations: sand as a digital medium.

influences: max bill, hokusai, buddhist art and zen art.

i had asked around 10 or 15 people for suggestions. finally one lady friend asked the right question: well, what do you love most? that is how I started painting money.
(andy warhol)

creative commons license jean-pierre hébert contact. (28 Oct 2012)