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soft lozenge (1989)
pen and china ink on paper, detail 4x2in within 15x15in.

drawings in the 90s

incremental progress of the work through an increased understanding of the medium (improved knowledge of software development; build-up of personal libraries; continuous experiences with the tools and their interaction with the medium)

graphite on paper with pencil lead plotters, silver point drawings.

first attempts at digital prints (iris prints with jon cone) and etchings (solar plates with elaine levasseur).

beginning of the metagon series

short collaborations with roman verostko: the virtual plotter.

create ephemeral sand traces and installations: sand as a digital medium.

influences: max bill, hokusai, buddhist art and zen art.

even in modern art, artists have used methods based on calculation, inasmuch as these elements, alongside those of a more personal and emotional nature, give balance and harmony to any work of art.
(max bill)

creative commons license jean-pierre hébert contact. (28 Oct 2012)